The major transformations in the philosophy of history and in aesthetics in late eighteenth- and early nineteenth-century Germany played an important part in the development of the subsequent historiography of art. This is the first extensive critical account of the work of the figures of that era who made the fundamental contributions to the field - Semper, Riegel, Wolfflin, W...(展开全部)

The major transformations in the philosophy of history and in aesthetics in late eighteenth- and early nineteenth-century Germany played an important part in the development of the subsequent historiography of art. This is the first extensive critical account of the work of the figures of that era who made the fundamental contributions to the field - Semper, Riegel, Wolfflin, W...(展开全部)

This masterly collection of texts interrogates the raging academic question, What is art history? Editor Preziosi, who directs ground-breaking critical studies of art history and museology, provides introductions to 35 challenging readings gathered in nine chapters. This plethora of alternatives is curiously complicated, even obfuscating. Covered here are the most current and r...(展开全部)

Stated price refers to time limited discount for orders of the three volume pack purchase only. This offer is valid until one month after publication after which the price of the set will increase to £295. The only modern comprehensive edition of the fragments of the Roman historians, which will be the standard scholarly work of reference for the foreseeable future The only edi...(展开全部)

Stated price refers to time limited discount for orders of the three volume pack purchase only. This offer is valid until one month after publication after which the price of the set will increase to £295. The only modern comprehensive edition of the fragments of the Roman historians, which will be the standard scholarly work of reference for the foreseeable future The only edi...(展开全部)

Every novelist's work contains an implicit vision of the history of the novel, an idea of what the novel is. I have tried to express here the idea of the novel that is inherent in my own novels. -- Milan Kundera Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially pe...(展开全部)

The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlie...(展开全部)

The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlie...(展开全部)

This work combines two early pamphlets by F. H. Bradley (1846-1924), the foremost philosopher of the British Idealist movement. The first essay, published in 1874, deals with the nature of professional history, and foreshadows some of Bradley's later ideas in metaphysics. He argues that history cannot be subjected to scientific scrutiny because it is not directly available to t...(展开全部)

布莱德雷（Francis Herbert Bradley，1846－1924），又译布拉德雷，是英国唯心论派（或称新黑格尔学派）最著名、最有原创性的代表。1846年1月30日出生于英国伦敦西南克拉彭的一个牧师家庭。1865年进牛津大学，1870年任牛津大学默顿学院研究员，并保持这一身份到逝世。1924年9月18日死于败血症。布莱德雷是个书斋型的学者，终生未娶。学术上，他以形而上学、伦理学、逻辑学的研究而闻名，在世时即赢得了同时代英国最伟大哲学家的誉称。代表作除本书外，还有《表象与实在》（1893）、《逻辑原理》（1883）、《伦理学研究》（1876）等。